Jeweler Karl Stittgen’s $1.2M Island Home Is an Ode to Frank Lloyd Wright

by Ela Zawadzki

Decades after joining the fellowship at Taliesin West, the late designer and ceramicist built Halcyon Days with his wife, Nora, in British Columbia.

Decades after joining the fellowship at Taliesin West, late jewelry designer and ceramicist  Karl Stittgen built Halcyon Days with his wife, Nora, in British Columbia.

Location: 3326 Port Washington Road, Pender Island, British Columbia, Canada

Price: $1,689,000 CAD (approximately $1,184,598 USD)

Year Built: 1994

Designer: Karl Stittgen

Footprint: Main house: 2,800 square feet (2 beds, 2 baths); Guest house: 650 square feet (1 bed, 1 bath)

Lot Size: 6 acres

From the Agent: "Presenting Halcyon Days — an enduring work of art born from fortitude and love. The late British Columbia–based artist Karl Stittgen designed and built this North Pender Island residence with his beloved wife, Nora, as a tribute to Frank Lloyd Wright.

Set high on a private six-acre property overlooking the ocean, the estate includes a 2,800-square-foot main residence, a tea house, a separate 650-square-foot guest cottage, an elevator, and two kilns. True to Wright’s principles, the house emphasizes horizontal lines, natural materials, an open floor plan, carefully placed windows, and an integration of architecture, furnishings, and landscape. Custom built-in furniture appears throughout the home.

The single-level main house is reached via natural rock steps from the driveway, with an elevator providing additional access. Inside, large windows—including a distinctive triangular one that projects outwards—open the living spaces into the view of the forest below and the ocean beyond. Extensive custom woodwork is paired with aggregate stone flooring, gray counters and tile, and a restrained palette of brown, gray, and white.

At the heart of the living area is the library, where custom shelves, a built-in study, and seating are lit by a geometric skylight. A central stone fireplace separates the sanctuary from the living area. Above it, the white wall is engraved with the Latin phrase Voluisse mihi, satis est: ‘To have wanted, for me, is enough.’ 

Born in Bad Dürkheim, Germany, in 1930, Stittgen arrived in Vancouver in 1952 and established himself as a watchmaker and jeweler in West Vancouver. He became a key player in Vancouver’s active midcentury art and design scene as his bold, architecturally inspired jewelry gained international recognition. In 1962, he stepped away from jewelry design for a time to join the Frank Lloyd Wright Fellowship at Taliesen West. He later opened stores in Calgary, San Francisco, and New York, and in 2009 received a British Columbia Creative Achievement Award of Distinction for his ‘profound and lasting impact on applied art and design in British Columbia.’ 

After retiring from the jewelry business in 1995, Karl and Nora turned their attention toward what would become their ultimate collaborative work: their own home. Karl meticulously developed Halcyon Days around Wright’s ideas about architecture and daily life while continuing his own creative practice in ceramics.

Following Nora’s death, Karl spent his remaining years in the property’s compact one-bedroom guest cottage, using it as both his residence and studio. Although small, it makes effective use of space and contains a more recently upgraded kitchen, a bathroom, and a living area with a woodburning fireplace. Near-finished pieces, unfinished ceramics, and raw materials from Karl’s practice remain untouched in the guest house today.

An extraordinary sanctuary for an artist or collector, Karl and Nora’s legacy awaits its next steward."

Karl Stittgen and his wife, Nora, built Halcyon Days on six wooded acres on North Pender Island after Stittgen retired from his jewelry business in the 1990s.

After an internationally recognized career in jewelry, Karl Stittgen turned increasingly to ceramics, receiving a British Columbia Creative Achievement Award of Distinction in 2009. He and his wife, Nora, built Halcyon Days on six wooded acres on North Pender Island, decades after Stittgen joined the Frank Lloyd Wright Fellowship at Taliesin West in 1962.

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

The home was conceived as an homage to Frank Lloyd Wright, drawing on ideas including an open plan, natural materials, strong horizontal forms, and a close relationship between the architecture and its site.

Stittgen conceived the home as an homage to Frank Lloyd Wright’s Usonian principles. It features an open plan, natural materials, strong horizontal forms, and a close relationship to its site. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Stittgen called the library his

The library is wrapped in built-in wood shelving, seating, and work surfaces. A distinctive geometric skylight lights the room from above. 

Photo by Nicole Eastman, Sotheby's International Realty

A central stone fireplace loosely divides the library from the adjoining living area. Above it, <i>Voluisse mihi, satis est</i> translates to

A stone fireplace loosely divides the library from the adjoining living area. Above it, the Latin inscription Voluisse mihi, satis est translates to "To have wanted, for me, is enough." 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Large windows pull views of the surrounding forest and water into the house, continuing Stittgen’s interpretation of Wright’s emphasis on connecting a house to its landscape.

Large windows pull views of the surrounding forest and water into the house. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Custom aggregate stonework makes up the flooring through much of the house. According to the realtor, its texture evokes the feeling of walking barefoot over the rocks outside.

Custom aggregate stonework makes up much of the flooring. According to the realtor, its texture evokes the feeling of walking barefoot over the rocks outside. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

The kitchen carries the house’s warm woodwork into a more utilitarian space, where gray stone counters and tile pick up the tones of the aggregate floors and a long run of skylights washes the room with daylight.

The kitchen carries the warm woodwork into a more utilitarian space. Gray stone counters and tile pick up the tones of the aggregate floors, and a long run of skylights fills the room with daylight. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Stittgen said that "Frank Lloyd Wright’s architecture is without any doubt the most livable there is.

"Frank Lloyd Wright’s architecture is without any doubt the most livable there is," Stittgen said. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Stittgen also conceived of the house as a tribute to his wife.

Stittgen also thought of the house as a tribute to his wife. "The whole house, I originally called a temple to Nora," he said. "When people asked me what I was doing, I told them, ‘I am building a temple to Nora.’" The home was later named Halcyon Days. 

Photo by Nicole Eastman, Sotheby's International Realty

Monochromatic woodwork appears nearly everywhere—from wall paneling and shelving to built-in benches and storage—making the furniture read as part of the house.

Woodwork appears everywhere—from wall paneling and shelving to built-in benches and storage. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Accessible only by ferry, floatplane, or boat, Pender Island is part of British Columbia’s Gulf Islands and, despite its limited tourism infrastructure, supports a close-knit community of artists, farmers, and conservationists.

Accessible only by ferry, floatplane, or boat, Pender Island is one of British Columbia’s Gulf Islands. Despite its limited tourism infrastructure, it supports a close-knit community of artists, farmers, and conservationists. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Elsewhere on the property, a small tea house is set into the wooded slope.

A small tea house is located on the property. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

A steep, winding drive climbs through the wooded property, passing the guest cottage before reaching the main house higher on the site.

A steep, winding drive passes the guest cottage before reaching the main house higher on the site.  

Photo by Nicole Eastman, Sotheby's International Realty

Though the main living spaces are arranged on one level, the house sits above the garage; an elevator connects the two, making it easier to bring groceries and other supplies up from the driveway.

The single-level house sits above the garage; an elevator connects the two, making it easier to bring groceries and other supplies up from the driveway. 

Photo by Nicole Eastman, Sotheby's International Realty

A roughly 650-square-foot guest cottage sits low among the trees along the drive, partially concealed by the surrounding forest.

A roughly 650-square-foot guest cottage sits low among the trees along the drive, partially concealed by the surrounding forest.

Photo by Nicole Eastman, Sotheby's International Realty

A roughly 650-square-foot guest cottage sits low among the trees along the drive, partially concealed by the surrounding forest.

A roughly 650-square-foot one-bedroom guest cottage sits low among the trees. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

The small cottage contains a bedroom, bathroom, living area with a wood-burning fireplace, and a more recently updated kitchen.

The guest cottage has a bedroom, a bathroom, a more recently updated kitchen, and a living area with a woodburning fireplace.

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

After Nora died, Stittgen moved into the cottage and used it as both his home and studio. Remnants from his ceramics practice remain, in the relator’s words,

After his wife, Nora, died, Stittgen moved into the cottage full-time, using it as both his home and studio. Remnants from his ceramics practice remain largely untouched throughout the space, forming, as the realtor describes it, "a tableau of Karl’s creative process and spirit." 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Halcyon Days sits atop an exposed rock outcrop, its long, low rooflines stretching across the slope.

Halcyon Days sits atop an exposed rock outcrop, its long, low roofline stretching across the slope. 

Photo by Nicole Eastman, Sotheby's International Realty

Photo by Nicole Eastman, Sotheby's International Realty

Stittgen moved from Germany to Vancouver in 1952 and established himself in West Vancouver as a watchmaker and jeweler, becoming part of a midcentury art and design circle that included Bill Reid, Jack Shadbolt, Toni Cavelti, Tony Onley, and Arthur Erickson.

Stittgen moved from Germany to Vancouver in 1952 and established himself as a watchmaker and jeweler, becoming part of a midcentury art and design scene that included Bill Reid, Jack Shadbolt, Toni Cavelti, Toni Onley, and Arthur Erickson. 

Courtesy of the Stittgen family

After roughly four decades in jewelry, Stittgen turned to ceramics, drawn to the immediacy of clay.

After roughly four decades in jewelry, Stittgen turned to ceramics. "To make a piece of jewelry takes days, and that is what I wanted to get away from," he said. "Clay is a wonderful material to express what’s in you. If you have any sort of ideas in you, you take that clay and right away you can form it."   

Courtesy of the Stittgen family

"If you feel as well as see my work, we share a common thought. If my work speaks to you then we embrace the essence of things.

"If you feel as well as see my work, we share a common thought. If my work speaks to you then we embrace the essence of things." - Karl Stittgen 

Courtesy of the Stittgen family

3326 Port Washington Road on Pender Island in British Columbia, Canada, is currently listed for $1,689,000 CAD by Nicole Eastman PREC* and Paul Hague PREC* with Sotheby's International Realty Canada. 

Chris Robertson

"My job is to find and attract mastery-based agents to the office, protect the culture, and make sure everyone is happy! "

+1(949) 777-5607

chris@brokerchris.com

26895 Aliso Creek Rd, B-603, Aliso Viejo, California 92656, USA

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